Sunday, January 30, 2011

Dominant 7th Chords

Scales: whole tone off the tonic, diminished off the flat 2nd, minor/melodic off the 2nd (the relative minor in the I chord), minor/melodic off the 6th. Twist that to get some blues. The basic scale and its arpeggiated structures. And its passing tones of course which can pivot to other keys depending on melody or dramatic tension.

No comments: